Sarah filmer: artist, mother, vet, feminist, researcher, teacher, person in the world. working with death, animals, knitting, people, family, feminism, and situation, sarah's work aims to embrace the complexity of living.

Greg Gilbert’s work is intimately connected with and influenced by Southampton, exploring notions of memory and its relationship to place.

Using the medium of fabric, yarn and thread, Jilly Evans subverts stereotypically female crafts by creating strait jackets, bin liner people, obscene embroideries, quilts, monuments. Hiding meaning below the surface of the fabric.

Kirsty Smith’s work is focused around language, gesture and form. Video and performance are used to abstract and reduce gestural movements of the body: the way that we unconsciously communicate, through gesture, is of particular interest.

Writer. Deborah's work encompasses extensive research, engagement with groups and situational writing. Plays have been performed internationally in venues from the National Theatre to a domestic garage.

Libby's work explores how we can change how we live within capitalist society. Concerned with waste and consumer culture, it moves away from planned obsolescence and plays with a utopian idea of public space, community empowerment and autonomy.

Gathering symbols, tokens, actions and signifiers of what it is to be human, Jo Willoughby pieces together artefacts of contemporary life – narratives to be deciphered, traces of a bigger picture, constellations of the everyday.

Celeste Ingrams focuses on drawing as process - testing routes - making marks - maps - psychology - stories - shedding - untreading - what's forgotten - the otherness of tracks - abstracting - the finding and losing of boundaries - never drawn out